Monday, May 8, 2017

DIRE MOON


ABOUT THIS BOOK

Her aura has never reacted to any man this way. 
After the female dire wolf under her protection goes missing, Laurel Finnegan’s new assignment, vetting the brother, proves even more challenging. He’s everything Laurel isn’t. And everything she wants. Before the full moon rises, she’ll have to test their mutual attraction, find his sister, and keep him away from the other females who will stop at nothing to be the dire wolf’s mate.

He refuses to accept the significance of their mingled auras.
Lucas MacDugal’s family is the last of the purebred dire wolves, and times have changed. So when his sister fought tradition and fled Scotland for Sarasota, he agreed. Now, he has to deal with her female security guard. Laurel has extraordinary elemental assets and is instrumental in deciphering evidence, but she’s also the first female to destroy his self-control. He has until the full moon rises to figure out why. After that, his unusual attraction to Laurel may prove deadly for her.

All the evidence indicates Grace set herself up.
Laurel’s worst fears prove true. Rogues from the south have infiltrated the outlying pack land. When she discovers Grace’s location and telecommunications fail, she decides to rely on the elemental connection she formed with Lucas.

He’s in denial…
But there’s no denying how much she hungers for him, and his lust rises with the waning moon. The innocent female haunts his thoughts night and day. He has to respond. Too many lives are at stake for him to ignore the appeal he can’t resist.

The full moon calls his wolf to action.
Lucas will give up everything to claim Laurel as his, but he won’t risk her life. The fear of losing her drives him to discover the mystery surrounding their irresistible connection.

BARNES & NOBLE
BOOKSTRAND


 

Saturday, April 8, 2017

ReBlog: Kiss Your Editor Today

Of course it’s a love/hate relationship (truly more love than hate on my part). By the time I finish my
IMG_0197 edits I want to prostrate myself at my editor’s feet and beg for her forgiveness and mercy…and thank her for putting up with me. No, I’m not a Diva. I’m just an author, and I do all the things in my first few drafts that many writers do. I know the rules (and YES there are rules) and the rules are meant to be guidelines to improve the reader’s enjoyment of the author’s book. Do I balk at some suggestions? Yes. Should I? No.
No editor is looking to mark up your manuscript in red just for the hell of it. Any editor would rather pick up your manuscript, sit down with a glass of wine, and enjoy a good book…preferably yours…the one she should be editing…but discovers there’s nothing wrong with it the way it is. She’d rather stay up all night, unable to put it down, and at dawn, realize she’s just finished a best seller, a Pulitzer Prize winning novel…and it’s yours. Not a suggestion to make, not a comma to enter, no exclamation points to delete, not a word to change.
Perfect. But I seldom got a manuscript delivered in that condition. Some were better than others. And I’ve never read or written a manuscript that didn’t need a damn good editor.  If every editor only got perfect manuscripts, they’d be out of a job. And when editors write, they are authors and they need editors, too–probably as much or  sometimes more than anyone. I’ve had good editors and mediocre ones. If you find a good one–an editor who makes you stretch your limits, dig deeper for the talent hidden in you, forces you to go farther than you intended to go with your story, bow to her glory. She’s a priceless jewel. Acknowledge her. She’s like the hardest teacher you ever had in school, the one who wouldn’t let you skimp on anything because she believed in you. You can hate the work, but value the effort. It’s what will make you better than you ever imagined you could be. Blow her a kiss and kneel at her feet.
Thank you, my glorious editors!
This is for all my critique partners and editors along the way who have put up with my repetitious ways and passive voice and out of POV scenes, and more…so much more.

Thursday, April 6, 2017

The insecure Writer's Support Group Wednesday Blog

The Insecure Writer's Support Group

It’s time for another edition of The Insecure Writer’s Support Group,founded by Ninja Captain, Alex J. Cavanaugh. The awesome co-hosts today are Christopher D. Votey, Madeline Mora-Summonte, Fundy Blue, and Chrys Fey!  April 5 Question: Have you taken advantage of the annual A to Z Challenge in terms of marketing, networking, publicity for your book? What were the results?



No I haven't, but I'd like to. Sometimes writing the books gets in the way of promoting or planning how to market and network. I'm still struggling with learning and keeping up with the ever changing market. Help! I'm up for assistance from anyone who has a suggestion or two.

Thank you!

Thursday, March 30, 2017

Polishing the Prequel to the Gemini Prophecy Series



So I’m polishing the introductory book to the Gemini Prophecy series. This is like a very long prequel. It’s the back story with action to the series. How much do I tell? Then how much do I tell again in the actual book series?
What I found is the promise of the series wasn’t possible to relate in the beginning of book one, the Power of the Light, because I opened the book in the right place. Writing a fae myth and modern suspense is a tough mix. I’m also not sure how many readers are interested in a series where the main characters find their ordinary world isn’t so ordinary after all. The books are modern day mysteries with paranormal and mythological elements wrapped up in romance. Amazon gives us two choices for genres. Any recommendations for how to list a book of fantasy, suspense, romance, psychics, fae, and daemons?
The pre-order date opens tomorrow. The release date is scheduled for May 28th.

What's this series about?
This is not a series about the zodiac at all. It was inspired by my mother who was a Gemini and after she died, this idea came to me when I thought of her. My Gemini are descendants of a forbidden love between royal fae and druid twins. Their children have been both cursed and blessed with a gift and a goal. Unfortunately, throughout the ages they've been hunted by a daemon conjured from the Underworld. Capable of traveling through time and space and assuming human form, the Droughan has been known by many names...Dahmer, Jack the Ripper, Vlad the Impaler, and Bundy, just to name a few.
The Gemini, two parts of the same soul, are destined to meet, fall in love, and return the elemental stones to Fal. Their goal is to reopen the portals between Fae and the mortal world before the darkness of the Underworld destroys the light and all that we are. Over eons of time, the prophecy has been forgotten...but the Droughan is back and psychics are being murdered.

A Fae Myth is the prequel. This book shows the story that brought about the Gemini and the prophecy. Get ready for the first book in the series coming in December.

http://elizamarch.com

 

Friday, March 24, 2017

Writing in Chaos


WRITING IN CHAOS


Do you need quiet to write? Do you have a playlist you listen to while writing? Do you have a special place? Is it isolated or in the thick of things? Is the TV blasting distracting news or great dialogue? Action or love scenes? What works best for you? I bet you have multiple answers depending on the scene and what stage you’re at in the book.
Chaos. In the midst of a family of seven, I’ve figured out how to write a first draft. Concepts and ideas fill my creative cup while I’m talking to my kids or friends, making dinner or folding clothes. The story is in my head at all times ready for a new twist or the next conflict.
I can even edit the first draft in chaos. But when it comes to making certain the i’s are dotted and the t’s are crossed, I need solitude. Complete and utter focusGrammar and punctuation checks are not what I’m talking about. What I need uninterrupted time to final edit for are these things…the essentials I hope to one day master in my first draft:
  1. are my characters behaving in character?
  2. do they have a goal, motivation, and conflict?
  3. am I staying in point of view?
  4. is the opening grabbing the reader?
  5. is the pace working?
  6. am I including hooks to the next scene?
  7. is there motivation, conflict, and a goal in each scene?
  8. is each sentence structured clearly?
  9. am I overusing adjectives, adverbs, names, dialogue tags, phrases,
  10. am I using redundancies–repeating words, sentence structure, or ideas unnecessarily?
Each of us has our own way or working through the writing process. We also have writing issues we repeat in each book. I check for those problems first, noting there are fewer in the second draft than there used to be. The more you write, the more cognizant you’ll become of your style, your voice. The pace of the story and the style eventually will become embedded in your work. The more you write, the sooner it will happen. Sooner or later, you’ll find your place to write, with or without chaos, with or without a playlist, with or without silence. What you’ll find is a way to focus on what the story needs instead of what you need. Numbers one through ten will fall into place like a marching band, marching in formation while they make music and designs. You’ll have your unique voice, your work will have a unique style that defines it, you’ll have a process of creating your work in a way that works for you.
I’ve tried several approaches. Some work with non-fiction, some with fiction. Some work with short stories but not with longer books. Some work with individual novels but not with series or serialized books. Different strokes for different folks pertains to bodies of work as well as temperaments. My memory isn’t what it was. I make notes now. Thank goodness for my iPhone. I keep it with me always…well, not in the shower…but it’s in the room–TMI?).
I dictate and write myself notes or just write down a word or phrase to jar my memory later when I have a chance to mull it over. We each have our own  creative needs and style of getting from A to Z.  Figure out your method and don’t be discouraged if you have to make tweaks or adjustments as you grow. I’m going to bare my soul. The second few edited paragraph segments from my first book, Hot Highland Fling, looked like this.
* * *
“Ah, Scotland,” Ailsa sighed into her cell phone. “The untamed highlands, the rugged moors, the burly men, and their kilts!”  The cell phone coverage was good as she checked in with her senior editor. None of that, Can you hear me now? stuff, going on up here.
“Katie, why do you live in London with those conservative people when you could be here?”
I know the only reason you took this assignment was to check out the native men. Besides, the magazine has a silly requirement that their senior editor reside near the publishing house, and if you must know, I prefer civilization to the wilds.”
* * *
I have to thank my first editor, Scarlet Senior Editor, Diana Carlile.at the Wild Rose Press for not only taking a chance on a newbie, but also for being an awesome editor. If I could I’d be rewording and editing it again. You have to know when enough is enough. (Most of us never learn that.)
The first red blob is cutting out a dialogue tag. Now there is narrative action instead of he said-she said.
The next change is a clarification of the first part of the sentence without going into too much unnecessary detail.
The next is a format situation. The editor clarified the idea with italics and punctuation.
Then I changed a word from one that I didn’t think fit as well.
The final edit in this section did a few things. This is the opening of the book. The heroine said several things that hint about the genre. The title of course is pretty suggestive. But Ailsa sighs. Then she sets the mood with her dialogue. “The untamed highlands, the rugged moors, the burly men, and their kilts!” A little excitement, a romantic lilt, sexy and fun. This sentence establishes a promise to the reader. You also get that sarcastic humor reinforced with her internal thought about the cell phone coverage. Can you hear me now? stuff…
We find out that Ailsa is questioning conservative reasoning. What’s she up to?
Ailsa’s editor confirms her motives. “I know the only reason you took this assignment was to check out the native men.” Ah! Ailsa has an ulterior motive. Do we want to read about it? Do we like her enough to be curious? We hardly know her at all. Is the subject something we’re interested in?
The book is short on plot–it’s very short anyway. But it does contain many sex scenes because this is a woman’s journey of sexual discovery, an awakening of sorts, and she has very little time to invest. Not everyone will be interested in a book of this length or genre, but no matter, there should be purpose to every words you choose to put on the page. I hope this helps you move from chaos to peace of mind.
Here is the blurb: Hot Highland Fling

Erotic Contemporary Romance
Erotic Romance

Free lance writer, Ailsa Jackson is finished dating executives. She’s looking for hot sexual fantasies with a man who fits her needs… “All muscle, stamina and no commitment.” The assignment in the UK sounds perfect when she’s assigned to interview an American CEO who recently inherited lands and a title in Scotland.
She tosses her inhibitions aside for the first Highlander she encounters–prepared to research all the myths about brawny Highlanders and answer the age old, burning question: What does a Scotsman wear beneath his kilt?
Colin Fitzgerald knows it’s wrong to deceive Ailsa, but he can’t risk her discovering his true identity before he seduces her. Unfortunately, he is everything Ailsa hates. Yet if he can become the lover she adores, perhaps he can convince her they’re perfect for each other.
He has one night to prove he’s no stuffed shirt and three weeks to become everything she desires in a lusty lover. His adventurous lass is imaginative and willing. But can lust turn to love so quickly? And will they be ready for more than a Hot Highland Fling when their time together draws to an end?

Recommended Reading

MAXIMUM IMPACT – Writing Short: Say More With Less: Condense the Essence & Leave ’em Satisfied Kindle Edition